Bass-baritone William Socolof decried the words with perfect enunciation and pleasing warmth.
Boston Musical Intelligencer, Lee Eiseman
William Socolof as Don Alfonso was hilarious… and cleverly depicted his cynical character’s boisterousness.
Opera Wire, Jennifer Pyron
William Socolof’s Alfonso was creepy and brooding, matched with a dark, understated vocal tone, particularly impressive in his upper register.
Parterre Box, Callum John Blackmore
Bass-baritone William Socolof was imposing as [her] primary antagonist….
The Wall Street Journal, Heidi Waleson
William Socolof is an award-winning operatic bass-baritone and recitalist. He has appeared as a soloist with many premier North American orchestras including the Boston Symphony Orchestra, National Symphony Orchestra, New York Philharmonic, and Philharmonia Baroque Orchestra amongst others. He was a winner of the 2020 YCA Susan Wadsworth International Auditions.
The New York City native was graduated from The Juilliard School in spring 2022 with an Artist Diploma in Opera Studies and was awarded The Stephen Novick Grant for Career Advancement. Thereafter, he attended the prestigious Merola Opera Program at San Francisco Opera, singing Riolobo in selections from Daniel Catán’s Florencia en el Amazonas, as well as operatic scenes of Mozart and Berlioz with the San Francisco Opera Orchestra.
William Socolof joined Oper Köln’s Opernstudio in the autumn of 2023 and his diverse range of performances has included Un ballo in Maschera, Tosca, L’incoronazione di Poppea, Die Bremer Stadtmusikanten by Attila Kadri Şendil, and Romeo und Julia by Boris Blacher. Performances with the company in the 2024-25 season include Papageno in Die Zauberflöte, Colline in La bohème, Masetto in Don Giovanni, and roles in a double-bill pairing of Le Rossignol with Les Mamelles de Tirésias, Giulio Cesare, and Kaija Saariaho’s La Passion de Simone.
A member of the 2023 Verbier Festival’s Atelier Lyrique, he performed the role of Father Truelove in a concert presentation of The Rake’s Progress with the Verbier Festival Junior Orchestra conducted by James Gaffigan. Additional highlights of the recent past include a debut with the National Symphony Orchestra in Bernstein’s Mass led by James Gaffigan, Vaughan Williams’ Sir John in Love with Leon Botstein and the American Symphony Orchestra at the Bard Music Festival, Beethoven’s Choral Fantasy, Op. 80 with the Boston Symphony Orchestra and Music Director Andris Nelsons, Barber’s Dover Beach, Op. 3 with the Borromeo String Quartet at Carnegie Hall, and performances with Philharmonia Baroque Orchestra under the auspices of The Kennedy Center, Carnegie Hall, and the Philadelphia Chamber Music Society in collaboration with Barbara Hannigan and Richard Egarr.
Recent appearances have included a new production by Mary Birnbaum of Guys and Dolls at Opera Saratoga rolling the dice as Nathan Detroit, Don Alfonso in Così fan tutte at Juilliard in a production conducted by alumnus Nimrod David Pfeffer and directed by David Paul, as well as the role of Daniel Webster in Virgil Thomson’s The Mother of Us All at the Metropolitan Museum of Art as a part of Project 19, the New York Philharmonic’s multi-season initiative marking the centennial of the 19th Amendment, which guarantees women the right to vote in the United States.
During the summers of 2019, 2020, and 2021, William Socolof was a resident artist at the storied Marlboro Music Festival and performed works of Bach, Brahms, Mahler, and Schubert with pianists Jonathan Biss, Malcolm Martineau, and Mitsuko Uchida extensively. A fellow at the Tanglewood Music Festival in the summer of 2018, and under the tutelage of Sanford Sylvan, Dawn Upshaw, and Stephanie Blythe, William Socolof appeared with the Boston Pops, performed Bach Cantatas conducted by John Harbison, and premiered works by Michael Gandolfi and Nico Muhly in partnership with pianist Emmanuel Ax.
William Socolof has received prizes from The Naumburg Foundation, Young Concert Artists, International Auditions, Oratorio Society of New York Lynn Woodside Competition, and the Metropolitan Opera National Council Laffont Competition.
He is a graduate of The Juilliard School (B.M.’18, M.M.’20, ADOS ‘22) studying with Sanford Sylvan and William Burden.
Mozart, 'Se vuol ballare' from Le nozze di Figaro
VideoBach, 'Mache dich, mein Herze, rein' from Matthäus Passion
VideoFauré, Dans la forêt de Septembre, Op. 85, No. 1
VideoStravinsky, "Come Master...In Youth' from The Rake's Progress
VideoNYC Recital Debut, Young Concert Artists
VideoJuilliard Master Class with Gerald Finley
Contact
General Management
Bill Palant, Étude Arts
Ansonia Station,Post Office Box 230132
New York, New York 10023
Tel: 929.777.0775
Email: [email protected]