Joseph Tancredi

Joseph Tancredi – photo

Next was tenor Joseph Tancredi, singing “Di rigori armato” from Richard Strauss’ “Der Rosenkavalier.” He quickly displayed a remarkable sweetness of voice, able to easily rise to a relaxed, near-spinto quality before drawing his phrases to a softly-controlled close, belied by the excitement on his face which lasted through much of this brief, passionate number.
Opera Wire, Logan Martell

Einen schönen lyrischen Tenor brachte Joseph Tancredi in die Rolle des Fenton ein.
Der Operfreund, Ludwig Steinbach

Joseph Tancredi affirmed his pingy lyric tenor as a brilliant career asset, also showcasing remarkable agility and winning applause with each of Lurcanio’s arias.
Opera News, David Shengold

…und Joseph Tancredi nimmt mit emphatischem Tenor als Fenton für sich ein.
Bachtrack, Christoph Wurzel

Tancredi’s voice was stunning as he sang ‘Amore, amore mio,’ and highlighted his ability to stretch with ease into his high notes with his pure tone.
Opera Wire, Jennifer Pyron

…und dem noch ganz jungen Joseph Tancredi aus dem Opernstudio mit fein expressivem Tenor als Jack sowie später noch als freigesprochener Mörder Tobby Higgins ohne Schwachstellen besetzt.
Online Merkur, Udo Klebes

Tenor Joseph Tancredi has a glorious lyric tenor and melted hearts with ‘Dein ist mein ganzes Herz’ from Lehár’s Das Land des Lächelns.
Seen and Heard International, Rick Perdian

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Hailed by Opera News for his “high notes with a ringing, clarion tone,” tenor Joseph Tancredi from Bayville, New York, is a member of the Ensemble of the Staatsoper Stuttgart after two seasons in their International Opera Studio.

Performance highlights of the current Stuttgart season include Tamino in Die Zauberflöte and roles in Turandot as well as in the first revival of Station Paradiso by Sara Glojnarić and Tanja Šljivar, which he premiered last season with the company.  He also makes a Seattle Opera debut as Narraboth in Salome staged by Bruno Ravella and led by Benjamin Manis.

The American tenor made his European debut in Stuttgart as Nemorino in L’elisir d’amore and since has performed a dynamic range of roles in Falstaff, Die Zauberflöte, Dialogues des Carmélites, Rigoletto, Aufstieg und Fall der Stadt Mahagonny, and Salome working with José Luis Gutiérrez, Tomáš Hanus, and Stefano Montanari in productions by Barrie Kosky, Silvia Costa, and Kirill Serebrennikov among others.  He also participated in an intensive Bel Canto program, under the tutelage of Rockwell Blake, at the Fondation des Treilles, France and was a member of the Académie of the Festival d’Aix en Provence appearing in concert under the baton of Leonardo García-Alarcón.

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Praised by Opera Wire for possessing an instrument “ stunning… and [with] ability to stretch with ease into his high notes with his pure tone,” previous engagements include performances with The Cleveland Orchestra and Franz Welser-Möst as Harry (La fanciulla del West), Mozart’s Requiem with Voices of Ascension, Mendelssohn’s Lobgesang both with the Prague Symphony Orchestra and Charlotte Symphony Orchestra, and Handel’s Messiah with the Tucson Symphony.  He also made an exciting debut with Opera Philadelphia, replacing an ill colleague at the last moment in Orff’s Carmina Burana

Joseph Tancredi proudly was a Renée Fleming Artist at the 2023 Aspen Music Festival, where he covered the title role in Francesca Zambello’s production of Mozart’s Idomeneo.  There he also performed as the Tenor in Terrence McNally’s play Master Class, alongside award-winning actress Phylicia Rashad as Maria Callas.  While at Aspen, Tancredi was heard in opera scenes as Rodolfo (La bohème), Nadir (Les pêcheurs de perles), and Chevalier de la Force (Dialogues des Carmélites).  He spent the summers of 2019 and 2021 as an Apprentice Singer at  Santa Fe Opera and, subsequently, was a Studio Artist with Opera Maine in summer of 2022, where he performed as Roderick Usher (The Fall of the House of Usher) and covered Der Steuermann (Der fliegende Holländer). 

The young tenor was named a National Semifinalist in the Metropolitan Opera Laffont Competition in 2023 and garnered awards from the Gerda Lissner Foundation, the George & Nora London Foundation, and the Premiere Opera Foundation + NYIOP.  Joseph Tancredi holds a Professional Studies Certificate and a Master’s degree from the Curtis Institute of Music and a Bachelor’s degree from the Manhattan School of Music where he studied under the tutelage of Ashley Putnam and Jack LiVigni.

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Fondation des Treilles: Académie de la voix 2025

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“Breit’ über mein Haupt” from Strauss' Opus 19

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“Ô blonde Cérès” from Berlioz's Les Troyens

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"O ew'ge Nacht! Wie stark ist nicht dein Zauberton" from Mozart's Die Zauberflöte

Contact

General Management
Bill Palant, Étude Arts
Ansonia Station,Post Office Box 230132
New York, New York 10023
Tel: 929.777.0775
Email: [email protected]