
Next was tenor Joseph Tancredi, singing “Di rigori armato” from Richard Strauss’ “Der Rosenkavalier.” He quickly displayed a remarkable sweetness of voice, able to easily rise to a relaxed, near-spinto quality before drawing his phrases to a softly-controlled close, belied by the excitement on his face which lasted through much of this brief, passionate number.
Opera Wire, Logan Martell
Einen schönen lyrischen Tenor brachte Joseph Tancredi in die Rolle des Fenton ein.
Der Operfreund, Ludwig Steinbach
Joseph Tancredi affirmed his pingy lyric tenor as a brilliant career asset, also showcasing remarkable agility and winning applause with each of Lurcanio’s arias.
Opera News, David Shengold
…und Joseph Tancredi nimmt mit emphatischem Tenor als Fenton für sich ein.
Bachtrack, Christoph Wurzel
Tancredi’s voice was stunning as he sang ‘Amore, amore mio,’ and highlighted his ability to stretch with ease into his high notes with his pure tone.
Opera Wire, Jennifer Pyron
…und dem noch ganz jungen Joseph Tancredi aus dem Opernstudio mit fein expressivem Tenor als Jack sowie später noch als freigesprochener Mörder Tobby Higgins ohne Schwachstellen besetzt.
Online Merkur, Udo Klebes
Tenor Joseph Tancredi has a glorious lyric tenor and melted hearts with ‘Dein ist mein ganzes Herz’ from Lehár’s Das Land des Lächelns.
Seen and Heard International, Rick Perdian
Hailed by Opera News for his “high notes with a ringing, clarion tone,” tenor Joseph Tancredi from Bayville, New York, is a member of the International Opera Studio at Staatsoper Stuttgart. He made his European debut in Stuttgart as Nemorino in L’elisir d’amore, and has performed with the company as Fenton (Falstaff), Erster Geharnischter (Die Zauberflöte), Borsa (Rigoletto), Jakob Schmidt/Tobby Higgins (Aufstieg und Fall der Stadt Mahagonny) and Das ewige Kind (Fundbüro).
In the Staatsoper Stuttgart’s 2024-25 season, Joseph Tancredi makes role debuts as Tamino (Die Zauberflöte), Cassio (Otello), and Vierter Jude (Salome) working with José Luis Gutiérrez, Tomáš Hanus, and Stefano Montanari in productions by Barrie Kosky, Silvia Costa, and Kirill Serebrennikov.
Praised by Opera Wire for possessing an instrument “ stunning… and ability to stretch with ease into his high notes with his pure tone,” previous engagements include performances with The Cleveland Orchestra as Harry (La fanciulla del West), as Tenor Soloist in Mozart’s Requiem with Voices of Ascension, in Mendelssohn’s Lobgesang with the Charlotte Symphony, and Handel’s Messiah with the Tucson Symphony. He also made an exciting debut with Opera Philadelphia, replacing an ill colleague at the last moment, in Orff’s Carmina Burana.
Joseph Tancredi spent the summer of 2023 as a Renée Fleming Artist at the Aspen Music Festival, where he covered the title role in Francesca Zambello’s production of Mozart’s Idomeneo. There he also performed as the Tenor in Terrence McNally’s play Master Class, alongside award-winning actress Phylicia Rashad as Maria Callas. While at Aspen, Tancredi was heard in opera scenes as Rodolfo (La bohème), Nadir (Les pêcheurs de perles), and Chevalier de la Force (Dialogues des Carmélites). He spent the summers of 2019 and 2021 as an Apprentice Singer at Santa Fe Opera and, subsequently, was a Studio Artist with Opera Maine in summer of 2022, where he performed as Roderick Usher (The Fall of the House of Usher) and covered Steuermann (Der fliegende Holländer).
The young tenor was named a National Semifinalist in the Metropolitan Opera Laffont Competition in 2023 and garnered awards from the Gerda Lissner Foundation, the George & Nora London Foundation, and the Premiere Opera Foundation + NYIOP. Joseph Tancredi holds a Professional Studies Certificate and a Master’s degree from the Curtis Institute of Music and a Bachelor’s degree from the Manhattan School of Music where he studied under the tutelage of Ashley Putnam and Jack LiVigni.
Contact
General Management
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Tel: 929.777.0775
Email: [email protected]