Joseph Tancredi

Next was tenor Joseph Tancredi, singing “Di rigori armato” from Richard Strauss’ “Der Rosenkavalier.” He quickly displayed a remarkable sweetness of voice, able to easily rise to a relaxed, near-spinto quality before drawing his phrases to a softly-controlled close, belied by the excitement on his face which lasted through much of this brief, passionate number.
Opera Wire, Logan Martell

Einen schönen lyrischen Tenor brachte Joseph Tancredi in die Rolle des Fenton ein.
Der Operfreund, Ludwig Steinbach

Joseph Tancredi affirmed his pingy lyric tenor as a brilliant career asset, also showcasing remarkable agility and winning applause with each of Lurcanio’s arias.
Opera News, David Shengold

…und Joseph Tancredi nimmt mit emphatischem Tenor als Fenton für sich ein.
Bachtrack, Christoph Wurzel

Tancredi’s voice was stunning as he sang ‘Amore, amore mio,’ and highlighted his ability to stretch with ease into his high notes with his pure tone.
Opera Wire, Jennifer Pyron

…und dem noch ganz jungen Joseph Tancredi aus dem Opernstudio mit fein expressivem Tenor als Jack sowie später noch als freigesprochener Mörder Tobby Higgins ohne Schwachstellen besetzt.
Online Merkur, Udo Klebes

Tenor Joseph Tancredi has a glorious lyric tenor and melted hearts with ‘Dein ist mein ganzes Herz’ from Lehár’s Das Land des Lächelns.
Seen and Heard International, Rick Perdian

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Hailed by Opera News for his “high notes with a ringing, clarion tone,” tenor Joseph Tancredi from Bayville, New York, spent two seasons in the International Opera Studio of the Staatsoper Stuttgart and he joins the Ensemble of the company from the 2025-26 season. Performance highlights of the current Stuttgart season include Tamino in Die Zauberflöte, Cassio in Otello, as well as roles in Dialogues des Carmélites, Turandot, and in the world premiere of Station Paradiso by Sara Glojnarić and Tanja Šljivar.  He also participates in an intensive Bel Canto program, under the tutelage of Rockwell Blake, at the Fondation des Treilles, France and makes his debut in the Czech Republic in performances of Mendelssohn’s Second Symphony (Lobgesang) with the Prague Symphony Orchestra led by Petr Altrichter.

The American tenor made his European debut in Stuttgart as Nemorino in L’elisir d’amore and since has performed a dynamic range of roles with the company in productions of Falstaff, Die Zauberflöte, Rigoletto, Aufstieg und Fall der Stadt Mahagonny, and Salome working with José Luis Gutiérrez, Tomáš Hanus, and Stefano Montanari in productions by Barrie Kosky, Silvia Costa, and Kirill Serebrennikov among others.

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Praised by Opera Wire for possessing an instrument “ stunning… and ability to stretch with ease into his high notes with his pure tone,” previous engagements include performances with The Cleveland Orchestra and Franz Welser-Möst as Harry (La fanciulla del West), Mozart’s Requiem with Voices of Ascension, Mendelssohn’s Lobgesang with the Charlotte Symphony Orchestra, and Handel’s Messiah with the Tucson Symphony. He also made an exciting debut with Opera Philadelphia, replacing an ill colleague at the last moment, in Orff’s Carmina Burana.

Joseph Tancredi proudly was a Renée Fleming Artist at the 2023 Aspen Music Festival, where he covered the title role in Francesca Zambello’s production of Mozart’s Idomeneo. There he also performed as the Tenor in Terrence McNally’s play Master Class, alongside award-winning actress Phylicia Rashad as Maria Callas.  While at Aspen, Tancredi was heard in opera scenes as Rodolfo (La bohème), Nadir (Les pêcheurs de perles), and Chevalier de la Force (Dialogues des Carmélites).  He spent the summers of 2019 and 2021 as an Apprentice Singer at  Santa Fe Opera and, subsequently, was a Studio Artist with Opera Maine in summer of 2022, where he performed as Roderick Usher (The Fall of the House of Usher) and covered Steuermann (Der fliegende Holländer).

The young tenor was named a National Semifinalist in the Metropolitan Opera Laffont Competition in 2023 and garnered awards from the Gerda Lissner Foundation, the George & Nora London Foundation, and the Premiere Opera Foundation + NYIOP.   Joseph Tancredi holds a Professional Studies Certificate and a Master’s degree from the Curtis Institute of Music and a Bachelor’s degree from the Manhattan School of Music where he studied under the tutelage of Ashley Putnam and Jack LiVigni.

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“Breit’ über mein Haupt” from Strauss' Opus 19

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“Ô blonde Cérès” from Berlioz's Les Troyens

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"O ew'ge Nacht! Wie stark ist nicht dein Zauberton" from Mozart's Die Zauberflöte

Contact

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New York, New York 10023
Tel: 929.777.0775
Email: [email protected]