Colin Aikins

As Tim, tenor Colin Aikins brought passion and ringing tone to a punishing role spanning naiveté, spiritual conflict and hard-won disillusionment. His confessional “Last Night” aria was a searing high point, underscored by newfound ecstasy.
The Seattle Times, Thomas May

…the force with which he projected his highs ultimately enhanced emotion. Additionally, his youthful handsomeness and slightly hunched posture were heaven-sent for the role of a subservient youth who twice attempts to flee the pains of closeted love without ever succeeding in breaking its hold.
Classical Voice North America, Jason Victor Serinus

If you want to experience the command and fervor in the voice, listen to Colin Aikins…
PBS/NPR

On the side of evil, Peter Quint was played by an attention-grabbing Colin Aikins, clad in a rather chic outfit of a gauzy see-through top and combat pants that made him a queasily attractive predator. He is a very fine actor, with presence and sizzling physical energy, and his Quint was more than sufficiently terrifying.
The Observer, Gabrielle Ferrari

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Colin Aikins, heralded tenor from Pittsburgh, Pennsylvania, possessing “command and fervor in the voice” (NPR, Philadelphia), joins the International Opera Studio of the Staatsoper Hamburg in autumn 2025 for a term of two seasons and, during the 2025-26 season, he bows in productions of Salome and Lohengrin conducted by Music Director Omer Meir Wellber, Il trovatore led by Matteo Beltrami, and Ariadne auf Naxos under the baton of Johannes Debus.  The handsome, young tenor makes a debut this season at Seattle Opera as Timothy Laughlin in Fellow Travelers – one of the most frequently performed new operas of the past decade adapted by composer Gregory Spears and librettist Greg Pierce from the Thomas Mallon novel recently released as a Showtime mini-series – in collaboration with New York-based artistic collective Up Until Now, staged by director Kevin Newbury conducted by Steven Osgood.

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Most recently, Colin Aikins made a role debut as Prologue/Peter Quint in a new production of Britten’s The Turn of the Screw at Juilliard Opera directed by Mary Birnbaum and led by Zachary Schwartzman.  Past appearances under the auspices of Juilliard Opera also include Gherardo in Gianni Schicchi, Jimmy O’Keefe in Later the Same Evening by John Musto and Mark Campbell in a production directed by Alison Moritz and conducted by Joseph Colaneri, and concert performances of Purcell’s King Arthur with Lionel Meunier leading Juilliard415.

A committed recitalist, he has collaborated with Brian Zeger at Juilliard Songfest, with Steven Blier and the New York Festival of Song, and with Pierre Vallet in Liederabend.

Highlights of recent seasons include a role debut as Alfredo in performances of La traviata with City Lyric Opera, Fenton in Falstaff with the Aspen Opera Center, and many performances with Curtis Opera Theater including Albert Herring, Dangerous Liaisons, Highway 1 USA, Sweeney Todd, and Trouble in Tahiti.

Recently graduated from The Juillliard School with a Master’s degree in Vocal Performance under the tutelage of William Burden and a recipient of the prestigious Toulmin Foundation Scholarship, Colin Aikins earned his Bachelor’s degree at the Curtis Institute of Music studying with Julia Faulkner.  He has been recognized with numerous awards including the 2023 Schwab Vocal Rising Star, the 2021 Hal Leonard Vocal Competition, a 2018 Vocal Finalist in the National Young Arts Competition, and a 2018 NPR From the Top Finalist.

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Spears: Fellow Travelers (2026) - Trailer

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Spears: “Last night” from Fellow Travelers

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Stravinsky: "Here I Stand" from The Rake's Progress

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Duparc: Phydilé

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Gounod: "L'amour! L'amour! ... Ah! lève-toi, soleil!" from Roméo et Juliette

Contact

General Management
Bill Palant, Étude Arts
Ansonia Station,Post Office Box 230132
New York, New York 10023
Tel: 929.777.0775
Email: [email protected]